Last week's Adam Arnold presentation at the Museum of Contemporary Craft was about frustration and hope, transforming and maturing, lightness and darkness—he even invited audiences to write down something they wanted to shed or transform in their lives, collected them in a makeshift coffin, and apparently burned them all later that night. As such, it was perhaps the most subdued in terms of color of any collection ever before seen from the designer, a palette of largely blacks, whites, and grays, with the occasional modest appearance of a forest green or blue, punctuated by just two items in gold, one of which was this jacket, which is vying to be my favorite piece in the collection:

See the rest and read more over on MOD.